Aldus photostyler art how to#
It makes me laugh to see how to draw a flower, but I remember teaching that very same technique oh-so-many years ago.
I had not seen Terry’s video before, but I thought to look for it because I’ve seen the one on Illustrator 1.0 so many times. I don't think Russell Brown was easy to impress, and it sounds like he was totally blown away. Getting back to Terry's demo of 1.0, while it had limitations, it must have seemed like magic at the time. By heck, they were soooooo ahead of their time! I remeber thinking it pretty damn cool at the time though, and it was incredible being able to overly graphics onto video with a cheap genlock. I can't remember the exact display spec of my Amiga 1000, but I think it was 16 colours at high res, and 256 colours at the reduced res. You could pretty much hear the individual tones (just about) of the modem! It was 10Mb, and took over half an hour to download. I used an application called Turnpike for email and Usenet when I moved to a PC. I've just done a wee Google, and MS used special high density floppies for media distribution, with a capacity of 1.68Mb. When you consider that those floppies were not desperately reliable in those days, it was a relief to get to the last disk without problems. I can't remember how many floppies Photoshop 4 came on, but MS Office came on something like 30 1.44Mb floppies. I was also taken back to the days of floppy disks. I loved the bit where Russell Brown having seen the Knoll brother's presentation, ran into the boss' office and said 'Buy this now!'. While at his current job as an Art Director at Wieden+Kennedy, Caio has produced work for Target, Coca-Cola, LAIKA House and the National MS Society.Ĭaio currently lives in Portland, OR with his wife and cats, none of whom ride a unicycle.Time travel back to Photoshop 1.0 with Terry White: It was also permanently archived at the MoMA, showcased at the Imagina Festival in Monaco, the cover of Popular Science Magazine and featured in major media outlets like the NY Times, WSJ, CNN, ABCNews, CBS, The Huffington Post, The Daily Mail, NY Post, Época, among others. During that time, Caio has been busy creating and executing a wide variety of interactive campaigns and experiences for the world's biggest brands, including Coca-Cola, Nike, Target, Microsoft, HP, Chevy, Frito Lay, Target, GE, Sprint, Yahoo!, and others.Īlong the way his work has been honored multiple times in festivals such as Cannes, Clio, One Show, D&AD, Art Directors Club, FITC, Obie, FWA, LIAA, AICP, Webby, Andy, Cut&Paste and others.
Aldus photostyler art professional#
Needless to say, it was awesome.Īfter realizing a career as a professional Unreal/Quake player was not in the cards, Caio began working at a number of different companies, including start-ups, small studios, production houses and advertising agencies both in and out of Brazil. One involving computers, and Unreal/Quake lunch-breaks, where a dozen co-workers were hooked to the same 33.3 kbps dial-up connection. In 1997 he was admitted to a college and stumbled upon the perfect job. This business showed quarter-after-quarter profits, and allowed Caio to purchase as much homemade ice cream as his octogenarian neighbor would sell him.Īt the age of nine Caio's, family moved to São Paulo realizing that his shoe-shining business had hit its ceiling, Caio showed impressive foresight and moved to São Paulo as well.Īfter numerous attempts at becoming a ninja and the fastest guitar player in the universe (not simultaneously) he had a glimpse of the life-altering power of technology as he discovered how Aldus PhotoStyler allowed him and his friends to be older, at least on paper, granting them access to happenings otherwise reserved for a much older crowd. Taking his cue from the industrious workers of the city, Caio became one of the area's youngest entrepreneurs as CEO/co-founder of a local shoe-shining venture. Known as "Brazil's Detroit," it differentiated itself from "America's Detroit" through its warm, pleasant climate, delicious grilled meats and surplus of samba blaring from workers' radios. Caio was born in São Bernardo do Campo, the auto manufacturing hub of Brazil.